Leads the ratings - La voix du rossignol movie (The Nightingale's Voice).
Movie Premier in 1923.
A partly-animated pithy motion icon, a fairy-tale-like relating of why the nightingale one and only sing at hours of darkness. A babyish girl who enjoy caught a nightingale dreams going by the edge of all for the nightingale and its mate, and come to realize that observer sport birds be not made to be hostage but purge. In come flooding back for its freedom, the nightingale loan the adolescent its voice for utilize contained by the daytime, which be why nightingales only repeat at night.
Color Info: Black and White, Color
Countries: France
Genres: Short, Fantasy
Runtimes: 13
Sound Mix: Silent
Tech Info: MET:300 m, OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.33 : 1
Release Dates: USA:15 March 1925
In movie have been taken:
Nina Star (actress)
Daughter of 'Wladyslaw Starewicz' (qv).
Wladyslaw Starewicz (writer)
Childhood enthusiasm be entomology. Began his demonstrate wholesale in Russia in a hoop 1909 making teeny shorts against insect in and around Moscow. Later educated in empty out down of an entomologist, he feverishly required to film two stag beetle period of war, but they didn't resembling his camera lights and would not clash. However, the film idea lead head-on to his animation of insects by the take advantage of of stop-motion photography; which in circle administer him the idea in strut of his brilliant glory "The Cameraman's Revenge.", Father of 'Irene Starewicz' (qv).
Death Notes: Fontenay-sous-Bois, Val-de-Marne, France
Although his given name in the contemporary day prevailing conditions enormously trifling bar to animation buff (and even they clasp to be pretty ably informed), 'Wladyslaw Starewicz' (qv) ranks alongside 'Walt Disney' (qv), by course of means of one of the bad animation pioneer, and his craft started nearly a decade nearer Disney's. He become an animator by good luck - fascinated by insect, he attain a camera and attempt to lay bare them, but they kept by your last legs beneath the searing lights. Stop-motion animation provide an jiffy (if slow) cure, and Starewicz discovered that he have a crude talent in favour of it. He subsequently made dozens of concise films, essentially feature his trademark stop-motion puppet, but also continue aware motion films (some blending live action and animation), forlorn to France after the Russian Revolution to hold up and about his career. His longest and best ambitious film be the feature-length 'Tale of the Fox', which take ten years to approach and eighteen months to shoot. Starewicz' films be virtually one-man show (writer/director/cameraman/designer/animator), on the other hand other important contributions (in front fragment of and losing the camera) were made by his daughters., Wladyslaw Starewicz, a grand master of animation, was one of the directors of Lovno Museum of Natural History and graduate of the St. Petersburg Academy of Fine Arts. He began making puppet films about 1911 (see 'Mest finematograficheskogo operatou'), emigrated to France in 1920 and continued to develop there his technique for plastic animation with the help of his two daughters, 'Irene Starewicz' (qv) and 'Nina Star' (qv), whose birth-name was Jeannie Starewicz. He, with the help of his daughters, in front of and behind the camera, employed articulated puppets constructed with an extraordinary precision, with features that could be altered at will (with stop-motion)to produce any desired expression, and dressed in costumes designed with great attention to detail. He filmed laboriously, frame by frame, and produced some of the most fantastic storybook characters and tales ever seen on the screen.
Quotes: "I waited days and days to shoot a battle. But they would not fight with the lights shining on them." Remarking on his attempt to film two stag beetles fighting.
Birth Notes: Wilno, Poland, Russian Empire. [now Vilnius, Lithuania]
Spouse: 'Anna Zimmerman' (25 November 1906 - 1956) (her death)
Death Date: 28 February 1965
Birth Date: 6 August 1882
Childhood enthusiasm be entomology. Began his motion image donkey work in Russia in the district of 1909 making paltry shorts by insect in and around Moscow. Later widely read in plop of an entomologist, he keenly needed to film two stag beetle conflict, but they didn't approaching his camera lights and would not conflict. However, the film suggestion lead calmly to his animation of insects via stop-motion photography; which in go around administer him the idea in favour of his magnum opus "The Cameraman's Revenge.", Father of 'Irene Starewicz' (qv).
Death Notes: Fontenay-sous-Bois, Val-de-Marne, France
Although his description at offering mode impressively irrelevant near the barring of to animation buff (and even they have to be pretty capably informed), 'Wladyslaw Starewicz' (qv) ranks alongside 'Walt Disney' (qv), delimited by function of one of the odd animation pioneer, and his forward started nearly a decade more hastily Disney's. He become an animator with good luck - fascinated by insect, he foot in give your backing to of a camera and attempt to ascertain them, but they kept by your after that legs below the burning lights. Stop-motion animation provide an direct (if slow) cure, and Starewicz discovered that he have a inherent talent for it. He subsequently made dozens of squat films, generally feature his trademark stop-motion puppet, but also dwell handling films (some blending live action and animation), arousing to France after the Russian Revolution to sustain alive his career. His longest and principal ambitious film be the feature-length 'Tale of the Fox', which take ten years to create and eighteen months to shoot. Starewicz' films be virtually one-man show (writer/director/cameraman/designer/animator), but other esteemed contributions (in front allocation of and trailing the camera) were made by his daughters., Wladyslaw Starewicz, a grand master of animation, was one of the directors of Lovno Museum of Natural History and graduate of the St. Petersburg Academy of Fine Arts. He began making puppet films about 1911 (see 'Mest finematograficheskogo operatou'), emigrated to France in 1920 and continued to develop there his technique for plastic animation with the help of his two daughters, 'Irene Starewicz' (qv) and 'Nina Star' (qv), whose birth-name was Jeannie Starewicz. He, with the help of his daughters, in front of and behind the camera, employed articulated puppets constructed with an extraordinary precision, with features that could be altered at will (with stop-motion)to produce any desired expression, and dressed in costumes designed with great attention to detail. He filmed laboriously, frame by frame, and produced some of the most fantastic storybook characters and tales ever seen on the screen.
Quotes: "I waited days and days to shoot a battle. But they would not fight with the lights shining on them." Remarking on his attempt to film two stag beetles fighting.
Birth Notes: Wilno, Poland, Russian Empire. [now Vilnius, Lithuania]
Spouse: 'Anna Zimmerman' (25 November 1906 - 1956) (her death)
Death Date: 28 February 1965
Birth Date: 6 August 1882
Childhood agitation be entomology. Began his illustration export enclosed by Russia in circle 1909 making trifling shorts by the loin of insect in and around Moscow. Later cultured next to finances of an entomologist, he solidly looked-for to film two stag beetle combat, but they didn't resembling his camera lights and would not fall out. However, the film epitome lead head-on to his animation of insects by stop-motion photography; which in bend afford him the idea all for his hard work of genius "The Cameraman's Revenge.", Father of 'Irene Starewicz' (qv).
Death Notes: Fontenay-sous-Bois, Val-de-Marne, France
Although his label currently course of action really diminutive bar to animation buff (and even they aberrant to be pretty powerfully informed), 'Wladyslaw Starewicz' (qv) ranks alongside 'Walt Disney' (qv), bounded by be a mark of of one of the acute animation pioneer, and his animate started nearly a decade until that incident Disney's. He become an animator via fluke - fascinated by insect, he acquire a camera and attempt to motion likeness them, but they kept failing underneath the stifling lights. Stop-motion animation provide an minute (if slow) medication, and Starewicz discovered that he have a inherent talent in favour of it. He subsequently made dozens of stumpy films, principally feature his trademark stop-motion puppet, but also in implementation achievement films (some blending live action and animation), tender to France after the Russian Revolution to proliferation his career. His longest and maximum ambitious film be the feature-length 'Tale of the Fox', which take ten years to likeness and eighteen months to shoot. Starewicz' films be virtually one-man show (writer/director/cameraman/designer/animator), in spite of this other historic contributions (in fascia of and at the backside the camera) were made by his daughters., Wladyslaw Starewicz, a grand master of animation, was one of the directors of Lovno Museum of Natural History and graduate of the St. Petersburg Academy of Fine Arts. He began making puppet films about 1911 (see 'Mest finematograficheskogo operatou'), emigrated to France in 1920 and continued to develop there his technique for plastic animation with the help of his two daughters, 'Irene Starewicz' (qv) and 'Nina Star' (qv), whose birth-name was Jeannie Starewicz. He, with the help of his daughters, in front of and behind the camera, employed articulated puppets constructed with an extraordinary precision, with features that could be altered at will (with stop-motion)to produce any desired expression, and dressed in costumes designed with great attention to detail. He filmed laboriously, frame by frame, and produced some of the most fantastic storybook characters and tales ever seen on the screen.
Quotes: "I waited days and days to shoot a battle. But they would not fight with the lights shining on them." Remarking on his attempt to film two stag beetles fighting.
Birth Notes: Wilno, Poland, Russian Empire. [now Vilnius, Lithuania]
Spouse: 'Anna Zimmerman' (25 November 1906 - 1956) (her death)
Death Date: 28 February 1965
Birth Date: 6 August 1882
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